Thank you for letting me access.
I am Sarah, the senior research librarian of the Librum. Librum, translated, is 'scales', or 'place where scales are kept', so a Librum is a community center, which usually includes a 'Librium' (library)(note the ' i ' ). Our old order Mennonite enclave is part of a network of specialized correspondence schools for various correspondence courses geared direct to old trades. Ours is geared to the various paper trades, book restoration, etc, so we have the largest Librium, so we are called 'THE Librum', or 'the School Librum'. We also act as the clearing house for networking purposes of the other schools.
Some of the courses include book restoration, to include digitization, but gearing towards the 'lowest tech'. Most other enclaves do not have electricity, enough said? In other words, we teach it, if it is 'old school'. Sewing, sheafing, leather tooling, printing by press, block, electro, etc, basically everything one can think of concerning books prior to the day of 'perfect binding' and we teach that too.
Some students, for their final certificate, must travel here for their final project. Many of these are put online for others to enjoy at
http://www.librum.us, and the ICS Project is at
http://www.icsarchive.org. We have quite a bit of older equipment, for student familiarization purposes. These range from 'light tables', to projector cameras, to 'fiber optic beds', to drafting sheet scanners and printers, to '100 cradles' (like yours, name comes from '100 degree', the angle of the cradle), photographic tripod, dark rooms and related, microfiche readers and scanners, microfilm readers and scanners, etc.
In addition to our standard students, we also host specialized restoration classes, upon demand, to various preservation groups, particularly the Smithsonian, and the Library of Congress. In other words, copyright spoken very strongly here. I did get a chuckle at a moderators post of 'insert standard rant about perpetual copyrights'. I/we have to deal with that on a daily basis, and it is a pain, especially finding out what are, and are not. But I am not an international rights attorney, and operate under international library copyright laws, very different, so please do not ask me such questions. I can field them from a registered library perspective, but not from a private person, or printer/publishers perspectives.
I was invited to come here. And I hope I can help some folks, and I promised to be civil.
Sarah